Guess what. I made a collage.
I love any excuse to get painty, inky, gluey and dig out my meltpot and beeswax.
Here's the supply list for my collage.
Airmail Bird Collage Elements stamps
6 x 6 deep edged canvas
Ranger Studio Multi-Medium (matte)
Vintage maps and sheet music and postage stamp
White and manilla cardstock
Ranger Archival Ink - Jet Black, Cobalt, Vermillion
Ranger Distress Ink - Vintage Photo
Acrylic paint ( I used Golden Fluid Acrylics but Adirondack Paint Dabbers would work really well)
Designer Metal (gold leaf)
Ranger Distress Embossing Powder - Fired Brick
Vintage pen nib
To get started collage the vintage papers onto your canvas using multi medium and when dry use your paints sparingly to highlight interesting bits of the background and the if it all seems a bit bright scrape some creamy coloured paint over the entire surface with an old credit card. This only needs a tiny amount of paint. ( Claudine Hellmuth Traditional Tan acrylic would be perfect for this. I have also painted the edges of the canvas dark brown. It's best to do this now as if you get wax runs over the edges the paint never really adheres properly. I have pulled the brown paint just over on to the front of the canvas as I like the vintage look this gives.
Using Archival Ink for all your stamping (so it doesn't run). Stamp the postmark onto tissue and the raven and the words onto thin white cardstock or paper.
I've used Vintage Photo Distress Ink to colour the edges of the bird words and also the air mail element.
Now it's time to get out your Meltpot. First I made the UTEE heart by dissolving Fired Brick embossing powder in some UTEE and the pouring into a tiny cookie cutter. I don't worry about little bubbles as I think it just makes it look more vintage. Dab the pen nib with black acrylic paint to age it.
Next melt your beeswax and having decided where you want your various collage elements to go apply the wax with a natural bristle brush and use your heat gun to keep it liquid if you need to get rid of brush marks. ( Personally I quite like to leave little dribbles and runs of wax as it all adds to the texture, and I just love the smell of that hot beeswax). I decided not to completely cover the script with wax and left the edges curled up and got a semi-translucent look where the wax was in contact with the paper, again just adding extra texture.
The pen nib, heart and crown (cut in half) all embed into the wax with no problems.
Finally (and completely optional) I applied a sparing coat of multi-medium one edge at a time and dabbed on gold leaf, which only adheres in some places and looks really old, especially if you then seal it with some more multi -medium that you thin down slightly with brown paint and some water to make a wash. This gives a lovely grungy look.
If you've never tried beeswax collage have a go. It's great fun. And when you've finished your art and the wax has really solidified just buff, buff, buff with a soft cloth and you will get the most amazing sheen on your work.
Thanks for looking and see you soon.